Estructuras 3000 is an artistic collective organized as a non-profit association whose aim is to carry out, safeguard, and disseminate collective and collaborative practices in the Catalan artistic and cultural context. The entity's action seeks to respond to the usual dynamics toward individualism that threaten the organization of the artistic collective and democratic access to cultural rights; this is why the association promotes the production of infrastructures, research, workshops, and actions in institutions across Catalonia for the collectivization of the sector and artistic practices.
The Estructuras 3000 space is a collaborative space with shared workshops dedicated to creation, experimentation, and production. Each workshop has a designated member of the association, and materials are shared accordingly. The space operates through collective care, self-management, and respect for shared work.
Estructuras 3000 works to generate opportunities for other collectives, contribute to the defense of fair remuneration, cultural rights and the professionalization of contemporary collective practices.
One part of Estructuras 3000 denounces the other for having acted unilaterally. Estructuras 3000 confronts itself judicially, questioning participation, status quo and individualisms.
Escola 3000 proposes a space for collective reflection in educational centers. How do architecture and its design modulate and intervene in power dynamics? New designs are proposed that are tested through theatrical practice.
The peepshow is a scenic device that explores the exhibition experience by individualizing the gaze and making it anonymous. With a structure that could be modified, several artists performed throughout the exhibition.
Performance conferences around collective artistic practice at the Faculty of Fine Arts. During the seminars, issues of individualization of the artistic sector are questioned and different ways of doing, organizing and conceiving artistic practice are presented.
Both the space and the objects that inhabit it are painted with blackboard to be the only support for different conferences over three days. The conditions as attendees were three: talks cannot be recorded, everyone must participate and what has already been written cannot be erased.
What happens when you bring recognized artists to exhibit within the framework of a young and emerging creation cycle? From the creation of a white cube inscribed within Estructuras 3000, the common space is canceled to host a different work each day. What answers can be given to the precarious conditions of the young artistic sector?
Sant Josep is a Holy Week project that reclaims Saint Joseph, a largely forgotten secondary figure in the Christian narrative and patron saint of wood, through the collective construction of a wooden image and its procession through the Can Vidalet neighborhood, accompanied by talks and traditional music.
An artifact created by Estructuras 3000 that, through participation on PAAC's networks, investigated collective practices by detecting mysterious cases.
Collective practice of transforming a plank and a board that activated multiple uses and artifacts throughout the day.
A curatorial project about fire and new institutionalities, with burned paintings and an incendiary lecture.
An exhibition that dissected how cultural authority is constructed: which gestures, codes, and scenographies sustain it, and how it is perpetuated within artistic circuits. It set in tension the desire to belong to this system with the need to question it, subvert it, or even theatricalize it to the point of absurdity.
Museographic device in the form of a giant box for Grup d'Estudi's curatorial project at BCN producció / La Capella, designed to contain and reveal successive exhibitions.